BRITTANY FOWLER

Human Capital Manager

Human Capital Manager Brittany Fowler advises on people programs and volunteer strategy at Cantanti Project.

As a mezzo-soprano, her recent and upcoming engagements include Dorothy Hindman’s Pillowbook with Fresh Squeezed Opera, Venere in the Cantanti Project’s Euridice, the alto soloist in Buxtehude’s Membra Jesu Nostra in Pennsylvania, La Beata Vergine in Sances’ Le Lachrime di San Pietro with the New York Continuo Collective, and First Lover/Evil Tongue 2 in a workshop of Kate Soper’s The Romance of the Rose. Her operatic roles include Larina (Eugene Onegin), Ottavia (L’incoronazione di Poppea), Meg (Little Women), The Mother (Amahl and the Night Visitors), and La Musica (L’Orfeo). She received her BA in Music and Italian Studies from Wesleyan University; her training includes young artist residencies with the Boston Early Music Festival and Opera North as well as studies at the University of Bologna in Italy.

Outside of opera, Brittany is an internal recruiter at Kickstarter. She was a Senior Strategist for several years at Team Theory, where she helped build teams for early stage seed and Series-A start-ups. Prior employers also include Napa Group, where she was an Assistant Vice President in Product Development, and Crimson Hexagon, where she advised on Italian social media analyses.

 Photo credit: Andrey Alistratov

Photo credit: Andrey Alistratov